I Love Matt Fishwick! Fiction and fun with Matt Fishwick

26Oct/110

The War Room 1945

Amid the crumbling building stood a secure war room inside a bunker. On the table in the war room stood a solitary goldfish bowl, nervous eyes watched it.

“It is no good trying to pretend zat you don’t know vhat is going on.” The Interrogator said in a menacing tone. The Interrogator was holding a riding crop in his hand. It wasn’t for effect. He had a riding lesson booked for after the war and he didn’t want to be on the horse without getting a feel for the equipment first.

The Fish blew a bubble in the bowl.

The Interrogator snapped the rising crop on the table and the resulting motion threw the Goldfish up into the air (far up in the air for a goldfish, anyhow) and due to some nifty physics, the goldfish ended up landing besides the bowl.

The fish gasped for its watery breath.

The Interrogator placed a wet sponge on the forehead (or the fish equivalent of a forehead), seemingly giving the offender a brief respite.

The fish blew another bubble.

In a flash (quite literally) the Interrogator held an electrical cable held over the little fish and soon it was smoking and fried.

“Ve eat tonight boys,” the Interrogator declared.

The crowd of assembled soldiers laughed, though secretly they knew their place in the organization and given the size of the fish and the overall number of soldiers, it was pretty obvious to all but the most stupid of the soldiers that they weren’t about to get any sustenance that night.

The Interrogator coughed. “Sorry. We eat tonight boys,” he offered. “I think I had a frog in my throat or something. Won’t happen again.”

The Soldiers knew their place. And so they laughed again, but with less enthusiasm this time. It wasn’t that they were used to the electrocution of fish, in fact it was a rare occurrence and had only happened on three separate occasions, it was just that the soldiers knew if they stepped out of line a similar fate would befall them.

Just then the door opened and in stepped the long trench coated figure carrying a rather battered medical bag leading a small goat on a pet leash.

The crowd of soldiers turned at the sound of the door. In the back somewhere, someone’s stomach growled.

“Looks like we definitely eat tonight,” The Interrogator shouted at the sight that greeted them.

The troops erupted in genuine laughter as the goat looked disturbed. Though it wasn’t in a psychotic disturbed kind of way, more like that he could sense the mood in the room had shifted.

“Calm down, Wolfgang,” the trench coated stranger told his four legged companion. The goat wore an eye patch. Not because of physical deformity, or because he was under orders from his optometrist, but simply because the trench coated stranger thought that it added an air of mystery to his overall character. “This will all be over soon.”

The eye patched goat seemed to take solace in the words of the man at the other end of his leash.

The trench coated man made his way to the centre of room, near to the bench as the soldiers stood around him in a circle.

“Are you the chef?” One of the soldiers called out.

Everyone laughed, including the goat. He might have been forced into wearing an eye patch in order to look menacing, but it didn’t mean that he didn’t appreciate a good joke or two.

“No.” The stranger replied. “I’m the Doctor. Doctor Otto von Topsy.”

“That seems a rather weird name.”

“It didn’t leave me with many career options.” The Doctor cleared his throat and got down to business. “We’ve had some reports of theft.”

“This is Nazi Germany,” the Interrogator shouted followed by peals of laughter from the group of soldiers.

“Not just petty theft,” the Doctor said as he slowly turned a full 360 degrees, looking each soldier in the eye as he did so, “but the theft of Hitler’s gold. And from this very room.”

“That’s why we killed the fish.” The Interrogator said. “He was solely responsible.”

“That’s hardly likely. It’s just a fish in a bowl. What can it do?”

“That’s what we’ve yet to establish.”

“And that’s what I’m here to find out.” The Doctor reached into his bag and pulled out a scalpel that gleamed in the light. Without a further word, the Doctor set to his task of dissecting the fish and within seconds, because the goldfish in question wasn’t that big, he had completed his task and, at much faster rate than Bono, had found what he was looking for. “Aha, the gold in question.” The Doctor held up a tiny nugget for all to see.

The soldiers gasped and began to eye each other with suspicion and eye Wolfgang the goat with hunger. However the goat, in all his eye patched badassery, stood his ground and remained unfazed.

The Interrogator was the first to recover from the shock “How much gold are we talking about here?”

“Much more than this piece here and much more than can be contained in the belly of a single fish.” The Doctor took a breath before unleashing his theory, if not his goat on the room, “My theory is that whomever the accomplice was he was feeding the tiny pieces of gold to the fish. Just before the fish would expire, the accomplice would switch out the gold fish with a near identical replacement from a local funfair and take the gold filled goldfish home to retrieve his gold. And all this to ensure his retirement in the post war glory years.”

“That seems spookily detailed for a theory. How do we know that you aren’t the accomplice? Or that he wasn’t acting alone?”

The Doctor began walking around the troups inspecting them. “We know he had an accomplice.” The Doctor said after a few passes of the troops.

The Interrogator stared at him wide-eyed. “How do you know?”

“Because of this!” The Doctor whirled around and within a split second was holding a tub of half empty fish food under the Interrogator’s nose.

Instinctively at the sudden movement, the Interrogator had taken a step back, bumped in to the wall, which was only an inch or so away, and returned to his original position. The return momentum carried him forward a touch and he had to put one foot in a lunge like manor to stop himself falling face first on to the ground.

“Ah,” the Doctor said. “A lunge of guilt. You’ll pay for that.” The Doctor placed the tub of fish food on the table next to the cut open corpse of the goldfish. “Guards.”

Two soldiers stepped forward.

“Seize him.”

“Under whose authority?”

“I need no one’s authority.” The Doctor countered. Colonel No One had given Topsy whatever the German equivalent to carte blanch was, to do with whatever it took to bring the gold thief and goldfish accomplice to justice, including finding out whatever the German equivalent to carte blanche was.

The Doctor clicked his fingers while still wearing his leather gloves. The lack of sound didn’t prompt the soldiers to take the Interrogator away as he had intended. Instead, the Doctor had to nod suggestively and point his eyes to the new prisoner.

“That’s preposterous,” the Interrogator retorted. “Why would I have the fish killed if we were in cahoots?”

“Were you not listening to my theory? To cover your tracks. You were never in cahoots and were working entirely on your own.” The Doctor took his left glove off and checked his nails. “So you could have all the gold to yourself.”

“That’s a lie.”

“I don’t think so.” The Doctor dropped the leash and clapped his hands together. “Get him!”

The Goat began to run at the Interrogator. Seeing the goat bearing down on him, caused the Interrogator to recoil in horror.

“Alright, alright.” He managed to shriek with panic in his voice. “It was me. I admit it.”

The Doctor nodded his head at this confession. He clapped his hands and the goat ceased his advancement.

“And I would have got away with it too,” the Interrogator said, breaking rather too easily, “if it hadn’t been for that meddling kid.”

12Oct/110

Faraday Cage Sketch

For the past six weeks I have been taking an Online Writing Course with Second City.

It's been going fairly well. A couple of weeks ago I had to write my first sketch assignment (earlier assignments were non script assignments). I enjoyed writing it, and I'm starting to enjoy sketch writing again after a few weeks of falling off the wagon.

And because I'm nice to you, and don't really have much else to say this week, here's the sketch:

Faraday Cage Sketch.

Remember to let me know what you think.

Have a fun week!

Matt.

5Oct/110

Four Nights In August

Recently there was a competition to win a free ticket to London Screenwriters Festival at the end of October.

I figured that I'd give it a go. The brief was to write a 1 page script about how the UK riots back in August affected a set of characters.

So I wrote something and submitted it...

...And this week the longlist was revealed...

...And I wasn't on it.

Ah well, nevermind. I tried to get a free ticket. can't afford to go to it now. I'm sure it would have been good. But I do want to go to the Comedy Writer's Festival that they're going to hold early next year.

So I'd best get saving my pennies.

In the mean time, I thought that I'd post my script so that you can read it if you want to:

Matt Fishwick - LSF RIOT SCRIPT - Four Nights In August - Consequences

You can even comment if you like.

So until next time, have fun!

Matt.

21Sep/110

The Best Rejection Ever

So, it's Saturday night when I write this. I've just come back from Manchester where I got drowned walking down Deansgate, but that can't dampen my mood.

I've been rejected quite a lot in my life (Awww!), but this past Thursday I think I received my favourite rejection ever.

As many of you may know, or may know now that I am choosing to tell you, I have written material and submitted it to Newsjack (search my blog for previous posts if you want to know more, or click here). Well this past week saw the start of Series 5 and dutifully I began to write sketches, one liners and corrections as per the submission criteria.

For Series 5, Episode 1 I wrote 2 sketches, 9 one liners and a correction.

I submitted them, and then forgot about it (if you count thinking about them all the time as forgetting) until I returned home after work on Thursday. I loaded up my email and then noticed I had a new email in my Junk folder. Strange, thought I, as I don't normally get junk email on that account.

So I take a look.

The email subject reads: "Newsjack"

Excitedly I open the email.

It's a mass rejection email.

As I've said before in previous posts, if they don't select your material for the show, you never hear from the team.

But I heard from them.

So my material made it to the recording on attempt number 13: Yay!

Then it was cut: Boo! (Unlucky 13)

But it's awesome, because this is the first time that I have ever heard back from them.

The email said my stuff had been recorded but cut for time. This can mean one of two things. At the recording it died and didn't get a laugh, or it was funny but was simply cut for time. I hope it was the second one and not the first, but I'll never know.

So I must be getting better at joke writing. Hurray. In an effort to find out what joke(s) or sketch made it through the selection process (so that I could try to write more in that style) I emailed the Newsjack Team back and simply asked. They were very nice and emailed me back almost straight away.

And so here is the joke (which I can identify as the only "correction" that I wrote that week) that made it through to the recording:

Last week we reported a Brazillian judge had ordered a halt to work on Sao Paulo airport. We were wrong when we said all they had left was a landing strip.

So what does this tell us? Firstly that jokes about lady gardens are funny. And that they almost make it to air on BBC Radio 4 Extra, and that this week I should figure out a way to work "landing strip" into all my gags. But that might be a little easier than done because I'm here writing this blog post instead of working on jokes.

Oh well, you can't have everything.

And remember kids, If I blog about Newsjack again next week it means I might have something on, besides my underpants.

Until next time,

Matt.

7Sep/114

A Change To The Schedule

Last Wednesday I wrote about how I had signed up for the ComedySportz Sketch Writing workshop again. I'd link to that post, but you're smart enough to go look at it yourself if you want to.

I said that I'd be posting my homework from the previous week after it had been read out in class. And I totally would be posting a new sketch for you, except for one thing...

It didn't go over so well.

Not only that, but after class, two people that I really respect said it wasn't funny. (So I guess you could say that it was except for three things, when two of those things are people. And one of them is really pretty. Hi Tim. :) )

I'll be completely honest and say that it did knock my confidence in my writing. (And it is just one of several knocks to my confidence recently.) So rather than post a sketch that you may only get three laughs out of five pages I thought I would do something else that might amuse you. (No, I'm not going to repost my hysterical M&S spoof again. You thought it was hysterical, right? No one said it wasn't, so I'm going to go with that.)

This isn't to say that next week I won't post a sketch if I think it is good enough, but based on what I have written so far this week, don't hold your breath.

But back to this week, and what I decided to post for you other than this rather self pitying rant.

This week I decided to draw something. It was the first time that I have decided to commission custom artwork for this site. And in doing so, I decided to give one more shot to a man that has let me down so many times in the past.

Me.

In my defence, me was right to put his trust in I because of what I'm about to unveil. And so without further ado, I present my first piece of original art based on my favourite comic book character...

Batman In A House Coat

Batman In A House Coat relaxing at the end of a hard day with a nice comfy chair while he looks at the Batphone on a floor that has been warped by all the heavy rain due to a leaky roof that he doesn't have time to fix thanks to all the crime fighting and post crime fighting chair reclining. In D Major.

Have a good week,

Matt.

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31Aug/110

Sketch: M&S Spoof Ad

Hello there!

Yes, it is I. Though I'm not sure who you were expecting, given the name of the website, unless of course you wanted someone with more scientific knowledge.

But that's not the point.

What is the point is that I'm posting my first sketch here since I debuted T.S.I. on 29th June, 2011.

People might ask me why that is (though no one has yet). Is it because the only comment about my sketch that I got was that it was professionally formatted?

In one word, no.

And the many other words that went unspoken after I said "no" were just basically tearful moans.

So what I guess I'm saying is that only my therapist (once I am rich and successful enough to be able to afford one) will know the truth.

But until that time, the reason that I'm going with is that I haven't written any other sketches since (read into that what you will). But now I'm doing the ComedySportz sketch writing class again.

Hurrah!

(At least for me.)

Boo for you, maybe. I don't know.

And we all know what that means? No, not boo again you unfeeling bastards. It means homework. What I plan to do is post the sketch(es) that I do for homework the week after they have been read out in class.

The first sketch I did was a timely M&S food ad spoof because as we all know they weren't played out years ago. The sketch seemed to go over reasonably well in class (in that no one threw up or hit me, or both. Which is basically all I ask). There were laughs and I think that's all that's really required.

And so here it is:

M&S Spoof Ad Sketch.

Please feel free to leave me any comments that you have, even if it just to enquire about an unused pack of condoms I have left over from my NYC trip.

Catch you next time,

Matt.

10Aug/110

Sitcom Script

By this time I'll be back in the UK, and no doubt will be very jetlagged, what with having to go to work and all in the morning.

So it probably won't surprise you to learn that I wrote this blog post a little in advance.

How in advance? Well, as I sit here at the keyboard, I haven't actually left for the USA yet.

But that shouldn't stop you enjoying what is no doubt going to go down in history as a Classic Fishwick blog post. Especially one that is in fact the 150th post to appear on this blog.

Yes, it's going to be that good.

So what is this post about?

Well, in case you haven't read the post header, I'll give you a clue: A SITCOM SCRIPT.

Actually that wasn't so much a clue, but the exact spelling out of what this blog post will contain in three words.

And so a little history.

Earlier in the year (actually at the back end of last year) a group of super friends were bitten by radioactive spiders and, instead of going out into the night and fight crime, decided to just write a sitcom together instead.

I've no doubt talked about it before, back in February. We tried to write a sitcom to enter to a competition. We put something together and sent it off.

It didn't get very far.

That could be down to the way we wrote it.

Each of us wrote a first draft and then we tried to take the best bits of each script and use it in the final one that was sent off for the competition.

And because I don't really have much else to show you this week (I probably do in reality, but I'm just too tired to write about it and post. Look for that in future weeks), I thought that I'd share with you my original first draft of the sitcom script. A script that I'm quite proud of. I won't share the final version that we sent off, because it isn't my place to do so.

The Sitcom is called "The Rufus Effect", (a name we later took for the name of our sketch group. We did some sketches and put them on Youtube. We'll do some more soon, too. I promise) and it is about a guy named Rufus who moves back home with his parents after a few financial ups and downs.

That's all you need to know. Actually, that's probably more than you need to know, so I'll stop now and just provide you with:

The Rufus Effect - Pilot Episode by Matt Fishwick - Draft 1 - Jan 2011.

Thanks go out to my co-writer friends: Ashley Miller, Howard Whittock and Martin Clare for the development of the initial idea.

And remember if you work for the BBC and would like to develop this idea, we are very easily bought. Especially me.

See? A classic Fishwick post.

Goodnight, and happy 150th everybody!

20Jul/110

Plotting

Writing is hard. Well, writing is okay once the story has been mapped out.

I spent this past Saturday with that delightful Canadian, Ash Miller, as we discussed a film script and tried to plot it out. (You can see a photo of our writing session from this past Mundane Monday post.)

We had a plot fairly quickly, based on the research that Ash had done and after that it was a matter of fleshing out the characters.

But then we came to a sticking point: Why a certain event takes place without it seemingly being cliched.

I've spent the past few days trying to come up with something, but in reality every time I think about it, nothing pops into my mind that's related to the film script.

I have had ideas for some comedy sketches instead, which I suppose isn't a total loss, but it wasn't the aim of the thinking time. Maybe I should just stop thinking about it and good things will come.

Or maybe Ash can think of a solution all by herself...

And I can just buy the drinks.

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29Jun/110

T.S.I

Hey there people!

Another week has passed, and because I was going to post on a subject that I have been thinking about a lot lately, but I was unsure how to formulate it into a blog post, I will present to you a sketch that I wrote last week, but didn't post in the vote. (Get me being withholding!).

Hopefully by next week I'll have figured out what I want to say properly and you'll be able to read it then. If not, look out for another sketch.

So without further ado, because I can't really think of anything else to write without giving the sketch away, I present:

T.S.I Sketch by Matt Fishwick.

Hope you enjoyed it.

Catch you next time,

Matt.

1Jun/110

Death Takes A Holiday

It's time to check in for another Wednesday post. This week, based upon the sketches that we have done with The Rufus Effect I thought that I would share a sketch that I have written this past week.

The title of the sketch is fairly explanatory, but I hope that it doesn't give the whole thing sway. Maybe it does, bit that doesn't matter. The sketch is quite a complex thing and requires quite a few locations. And its the locations that are a bit of a problem for us at the moment.

I suppose the location problem is something that I should factor in to my writing, but at the moment I'm not proficient enough at it to be able to discount any ideas because they have a premise that is too outlandish and complex to shoot.

I will try and write stuff that is easy to shoot in the future, but until then, please enjoy the sketches that I post here.

Death Takes A Holiday - A Sketch by Matt Fishwick.

And as always, any feedback you have is greatly appreciated. That's what the comments are for.

PS. Oh, and in case you were wondering most of this post was written using my HTC phone. Except this bit, and the links.